CATEGORY: MOVIES
The theatrical release poster from Stanley Kubrick's Lolita (at left),[a] is reminiscent of Mia Wallace sucking on a cherry as she sits across from Vincent Vega in Jack Rabbit Slim's (above). The protagonist in Kubrick's movie, middle-aged Humbert Humbert, becomes obsessed and sexually involved with a 14-year old girl named Dolores Haze for whom his private nickname is Lolita.
Upon Mia and Vincent's return to the Wallaces' residence, Mia begins to dance to the song Girl, You'll Be A Woman Soon. One thing that is being suggested by the way Mia is portrayed in Pulp Fiction, is that she is immature or incompletely developed in some way.
Lately we have been discussing connections between Pulp Fiction and Stanley Kubrick's 2001: A Space Odyssey. There are known connections between other films created by Tarantino and Kubrick. For example, Tarantino's Reservoir Dogs corresponds somewhat to Kubrick's The Killing. Tarantino himself has commented on this, saying, "I didn't go out of my way to do a rip-off of 'The Killing,' but I did think of it as my 'Killing,' my take on that kind of heist movie."[b]
The seemingly senseless violence in some of Tarantino's films, such as that in Reservoir Dogs (above), are a 'homage' to the violence in The Killing, and to that in some of Kubrick's other films as well, such as A Clockwork Orange (left). This comprises part of Quentin Tarantino's way of saying that Kubrick's message was, that we as a society have become insensitive to violence in films, and to real-life violence as well. In fact, Tarantino himself is sending us this same message with his own films.
a. Image from the Wikipedia 'Lolita (1962 film)' page, LolitaPoster, licensed under fair use via Wikipedia. Source: Scope Advertising, e.g. Herman Zuckerman (design) and Frederick L. Hyman (copy). The photograph of Sue Lyon used in the poster was not in the movie but was taken randomly on the set as she was waiting for her next shot. Zuckerman and Hyman found the picture in a batch of publicity shots.
b. Hartl, John (October 29, 1992). "'Dogs' Gets Walkouts And Raves." The Seattle Times. Web. URL = http://web.archive.org/web/20090126084703/http://community.seattletimes.nwsource.com/archive/?date=19921029&slug=1521437.
Tuesday, July 6, 2010
Disclaimers
1) In certain instances it has been determined that the creators of some of the productions analyzed on this blog, and/or the creators of source material(s) used in the making of these productions, may be making negative statements about certain segments of society in their productions. These statements should be taken as expressing the opinions of no one other than the creators.
2) This blog is not associated with any of the studios, creators, authors, publishers, directors, actors, musicians, writers, editors, crew, staff, agents, or any other persons or entities involved at any stage in the making of any of the media productions or source materials that are analyzed, mentioned, or referenced herein.
3) In keeping with the policies of the filmmakers, authors, studios, writers, publishers, and musicians, that have created the productions (and their source materials) that are analyzed, mentioned, or referenced on this blog, any similarity of the characters in these films or source materials to actual persons, living or dead, is purely coincidental.
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Marcus Aurelius's Meditations - from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
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Marcus Aurelius's Meditations - from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Augustine's Confessions and City of God from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Thomas Aquinas's Summa Theologica from the 'Logos Virtual Library' website (except where otherwise noted), compiled and edited by Darren L. Slider; believed to be in public domain.