CATEGORY: MOVIES
Above left: Starling has just arrived at the Baltimore prison for her second interview with Lecter. She is shown sitting in a corridor, just outside Lecter's cell, facing into it through a plexiglass barrier. The TV set to her left, shows a 'televangelist' (a person who preaches via television). This is actually a video that runs continuously, with the volume turned up high, as a means periodically used by Chilton (the prison psychologist) to punish Lecter. However, Chilton has had the volume muted for the interview. This is, of course, so that Starling and Lecter can converse; but the symbolic significance here is that Starling represents the presence of God, so the preacher stops talking and starts 'listening'. Note the way the white towel is shown around Starling's head and shoulders (in the above left screencap), making her appear like an angel; as previously indicated, she is a friendly angel of death, sent by God to destroy Satan's pupil, as represented by Jame Gumb. Above right: A view from behind Starling, facing Lecter. Note the reflection of the TV set in the middle-left of the plexiglass barrier. Using ingenious camera positioning, Jonathan Demme (the director) lets us, the audience, know that both the preacher and Lecter are now listening in the presence of an 'agent' sent by God himself.
Monday, February 9, 2009
Disclaimers
1) In certain instances it has been determined that the creators of some of the productions analyzed on this blog, and/or the creators of source material(s) used in the making of these productions, may be making negative statements about certain segments of society in their productions. These statements should be taken as expressing the opinions of no one other than the creators.
2) This blog is not associated with any of the studios, creators, authors, publishers, directors, actors, musicians, writers, editors, crew, staff, agents, or any other persons or entities involved at any stage in the making of any of the media productions or source materials that are analyzed, mentioned, or referenced herein.
3) In keeping with the policies of the filmmakers, authors, studios, writers, publishers, and musicians, that have created the productions (and their source materials) that are analyzed, mentioned, or referenced on this blog, any similarity of the characters in these films or source materials to actual persons, living or dead, is purely coincidental.
---------------------------------------------------------------------------------
All images on this blog are used solely for non-commercial purposes of analysis, review, and critique.
All Wikipedia content on this blog, and any edits made to it, are released under the Creative Commons Attribution-Share-Alike License 3.0.
Marcus Aurelius's Meditations - from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Augustine's Confessions and City of God from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Thomas Aquinas's Summa Theologica from the 'Logos Virtual Library' website (except where otherwise noted), compiled and edited by Darren L. Slider; believed to be in public domain.
Marcus Aurelius's Meditations - from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Augustine's Confessions and City of God from Wikisource (except where otherwise noted); portions from Wikisource used on this blog are released under the Creative Commons Attribution-Share-Alike License 3.0.
Saint Thomas Aquinas's Summa Theologica from the 'Logos Virtual Library' website (except where otherwise noted), compiled and edited by Darren L. Slider; believed to be in public domain.