Welcome to my analysis of Mulholland Drive. Buttons at the bottom of each post allow navigation through the parts. Free use of Wikipedia is made at various places in the analysis, as detailed in the notes.
Mulholland Drive is a 2001 American neo-noir psychological thriller written and directed by David Lynch, starring Justin Theroux, Naomi Watts, and Laura Harring. The surrealist film was highly acclaimed by many critics and earned Lynch the Prix de la mise en scène (Best Director Award) at the 2001 Cannes Film Festival as well as an Oscar nomination for Best Director. Mulholland Drive launched the careers of Watts and Harring and was the last feature film to star veteran Hollywood actress Ann Miller. The film is widely regarded as one of Lynch's finest works, alongside Eraserhead (1977) and Blue Velvet (1986), and has been chosen by many critics as representing a significant perspective of the 2000s.
The film tells the story of an aspiring actress named Betty Elms, newly arrived in Los Angeles, California, who meets and befriends an amnesiac hiding in her aunt's apartment. The story includes several other seemingly unrelated vignettes that eventually connect in various ways, as well as some surreal scenes and images that relate to the cryptic narrative.
Plot
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Laura Elena Harring) escapes her own murder by being the sole survivor of a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment which an older, red-headed woman has just vacated. An aspiring actress named Betty Elms (Naomi Watts) arrives at the same apartment and finds the dark-haired woman confused, not knowing her own name. The dark-haired woman assumes the name "Rita" after seeing a poster for the film Gilda (1946), starring Rita Hayworth. To assist her in discovering her identity, they look in Rita's purse where they find a large amount of money and an unusual blue key.
In a diner called Winkie's, a man tells his companion about a nightmare in which he dreamt there was a horrible figure behind the diner. When they investigate, the figure appears, causing the man with the nightmare to collapse in fright. Later, a bungling hit man (Mark Pellegrino) attempts to steal a book full of phone numbers and leaves three people dead. A Hollywood director named Adam Kesher (Justin Theroux) has his film commandeered by apparent mobsters, who insist he cast an unknown actress named Camilla Rhodes (Melissa George) as the lead in his film. After he resists, he returns home to find his wife having an affair and is thrown out of his house. He later learns that his bank has closed his line of credit and he is broke. He agrees to meet a mysterious figure called The Cowboy, who urges him to cast Camilla Rhodes for his own good.
Trying to learn more about Rita's accident, Betty and Rita go to Winkie's and are served by a waitress named Diane, which causes Rita to remember the name "Diane Selwyn". They find Diane Selwyn in the phone book and call her, but she does not answer. Betty goes to an audition, where her performance is highly praised. A casting agent takes her to the set of a film called The Sylvia North Story, directed by Adam, where Camilla Rhodes gives an audition and Adam declares, "This is the girl." Betty flees before she can meet Adam, saying that she needs to meet a friend.
Betty and Rita go to Diane Selwyn's apartment and break in when no one answers the door. In the bedroom they find the body of a woman who has been dead for several days. Terrified, they return to their apartment, where Rita disguises herself with a blonde wig. The two women have sex that night and awake at 2 a.m., when Rita insists they go to an eerie theater called Club Silencio. On stage, a man explains in several languages that everything is an illusion; a woman begins singing then collapses, although her vocals continue. Betty finds a blue box in her purse that matches Rita's key. Upon returning to the apartment, Rita retrieves the key and finds that Betty has disappeared. Rita unlocks the box, and it falls to the floor with a thump.
The older red-headed woman investigates the sound, but nothing is there. The Cowboy appears in the doorway of Diane Selwyn's bedroom saying, "Hey, pretty girl. Time to wake up." Diane Selwyn (played by Naomi Watts) wakes up in her bed. She looks exactly like Betty, but is portrayed as a lonely and depressed failed actress, in love with Camilla Rhodes (played now by Harring), who torments and rejects her. On Camilla's invitation, Diane attends a party at Adam's house on Mulholland Drive. Her limousine stops before they reach the house and Camilla escorts her using a shortcut. Adam appears to be in love with Camilla. Over dinner, Diane states that she came to Hollywood when her aunt died, and she met Camilla at an audition for The Sylvia North Story. Another woman (played by Melissa George) kisses Camilla and they turn and smile at Diane. Adam and Camilla prepare to make an important announcement, and dissolve into laughter and kiss while Diane watches, crying.
Diane meets with the bungling hit man at Winkie's, where she gives him Camilla's photo and a large amount of money, and they are served by a waitress named Betty. The hit man tells Diane that when the job is done, she will find a blue key. Diane asks what, if anything, the key opens, but the hit man just laughs. Diane looks up and sees the man who had the nightmare standing at the counter. Back at her apartment, with the key on a table in front of her, she is terrorized by hallucinations. She runs screaming to her bed where she shoots herself. In the final shot, a woman at the club whispers "Silencio".
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Giving the film only the tagline, "A love story in the city of dreams"[a], David Lynch has refused to comment on Mulholland Drive's meaning or symbolism, leading to much discussion and multiple interpretations. Christian Science Monitor film critic David Sterritt spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that Mulholland Drive does tell a coherent, comprehensible story," unlike some of Lynch's earlier films.[b] On the other hand, Justin Theroux said of Lynch's feelings on the multiple meanings people perceive in the film, "I think he's genuinely happy for it to mean anything you want. He loves it when people come up with really bizarre interpretations. David works from his subconscious."[c][1]
In the next post, we will begin to analyze the movie. As with some of the other analyses on this blog, this will be an 'incremental' analysis, that is, sometimes we will make observations from which conclusions will not immediately be drawn. Then, as the analysis proceeds and more is learned, we will hopefully be able to fill in the conclusions.
a. Macaulay, Scott (October, 2001)."The dream factory", FilmMaker, 10 (1), p. 64–67.
b. Sterritt, David (2001-10-12). "Lynch's twisty map to 'Mulholland Drive'". The Christian Science Monitor: p. 15.
c. Arnold, Gary (October 12, 2001). "Smoke and mirrors; Director Lynch keeps actor Theroux guessing". The Washington Times. p. B5.
